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‘The Glassworker’ interview: Usman Riaz on bringing Pakistan’s first hand-drawn animated feature to life
In a groundbreaking achievement for Pakistani animation, Usman Riaz has etched his name in history with ‘The Glassworker.’ This hand-drawn animated feature film not only marks a first for Pakistan but also showcases the potential of storytelling and animation from the region on a global stage. In this exclusive interview, Riaz delves into his journey of creating ‘The Glassworker,’ discussing the influence of seasoned anime inspirations, navigating the challenges of growing up in post 9/11 Pakistan, and the overwhelming support received from across the border in India.
With a vision to bring traditional hand-drawn animation to life in a digital age, Riaz’s journey with ‘The Glassworker’ is a testament to perseverance and artistic dedication. As we explore the depths of this groundbreaking project, we’re reminded of how animation transcends cultural and geographical boundaries, uniting audiences in a shared appreciation for storytelling and artistry.
The Genesis of ‘The Glassworker’
The inception of ‘The Glassworker’ stems from Riaz’s deep-rooted love for hand-drawn animation, a passion that found its muse in the works of legendary anime creators. Growing up, Riaz was captivated by the detailed, expressive worlds crafted in anime, a fascination that laid the foundation for his future endeavors.
Usman Riaz on Anime Inspirations: “Watching anime was like glimpsing different worlds. The stories were complex, the characters richly developed, and the animation was breathtaking. It was these early inspirations that fueled my desire to create something that could resonate with people in a similar way.”
The Challenges of a Post 9/11 World
For Riaz, pursuing animation in post 9/11 Pakistan came with its unique set of challenges. The socio-political climate of the time cast a shadow over artistic pursuits, making it difficult for creators to find their voice and platform.
Overcoming Adversity: “In the aftermath of 9/11, the world’s perception of Pakistan was skewed. Internally, we faced our own struggles with identity and expression. Starting on ‘The Glassworker’ during such times felt like a risk, but it was a risk worth taking. It was about reclaiming narratives and showcasing a different side of Pakistan.”
Support from India
One of the most heartening aspects of ‘The Glassworker’s’ journey has been the outpour of support from India. Despite the historical tensions between the two countries, the artistic community in India embraced Riaz’s vision, highlighting the power of art to bridge divides.
On Indian Support: “The support from India has been overwhelming and deeply moving. It’s a reminder that art and storytelling can transcend borders and bring people together. This shared appreciation for animation and our cultural narratives shows a path forward, one where creativity and collaboration lead the way.”
Looking Forward
With ‘The Glassworker,’ Usman Riaz has not only realized a personal dream but also paved the way for future generations of Pakistani animators. The film is a beacon of what can be achieved with determination, talent, and the support of a community that spans countries and cultures.
Future of Pakistani Animation: “I hope ‘The Glassworker’ inspires upcoming animators in Pakistan and beyond to pursue their passions. It’s about showing that with the right blend of perseverance, talent, and support, we can tell our stories and share them with the world.”
As ‘The Glassworker’ prepares to make its mark on global animation, Usman Riaz’s journey is a poignant reminder of the power of storytelling. Through hand-drawn frames and compelling narratives, Riaz not only brings a unique Pakistani story to life but also sets the stage for a brighter, more inclusive future for animation.
Final Thoughts: “Animation has the power to express the inexpressible, to give form to dreams and ideas. With ‘The Glassworker,’ we’ve just begun to scratch the surface of what’s possible. The future of animation in Pakistan and the stories we can tell is something I’m incredibly excited for.”
Usman Riaz’s ‘The Glassworker’ stands at the precipice of a new era for Pakistani animation, signaling a bright future for storytelling and artistic expression. As the film captivates audiences worldwide, it’s clear that Riaz’s journey is not just a personal triumph but a beacon of inspiration for aspiring animators everywhere.
